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Relic #1, 2019. Featuring Peter Frank Milligan, Counterpoint Lamp, 2015, stoneware base, carbon fibre rod, spun aluminium shade & Wheel Thrown Bowl, 2016, glazed stoneware.
Relic #1, 2019. Featuring Peter Frank Milligan, Counterpoint Lamp, 2015, stoneware base, carbon fibre rod, spun aluminium shade & Wheel Thrown Bowl, 2016, glazed stoneware.
Relic #2, 2019. Featuring Clare Peake, Chalice, 2015, air-dry clay, acrylic paint; Tom Freeman, Glory Glory, 2017, glazed stoneware.
Relic #2, 2019. Featuring Clare Peake, Chalice, 2015, air-dry clay, acrylic paint; Tom Freeman, Glory Glory, 2017, glazed stoneware.
Relic #3, 2019. Featuring Rose Megirian, Great Worth, 2016, blackened sterling silver, precious/semi precious stones, fresh water & south sea pearls; Tom Freeman, Hanging Wire Dip (1 & 2), 2015, wire, acrylic paint.
Relic #3, 2019. Featuring Rose Megirian, Great Worth, 2016, blackened sterling silver, precious/semi precious stones, fresh water & south sea pearls; Tom Freeman, Hanging Wire Dip (1 & 2), 2015, wire, acrylic paint.
Relic #5, 2019. Featuring Pete Reynolds, Sea Garden Sculptures, 2017, mouth blown glass.
Relic #5, 2019. Featuring Pete Reynolds, Sea Garden Sculptures, 2017, mouth blown glass.
Relic #4, 2019. Featuring Sarana Haeata, Big Bertha, 2015, buff raku clay; John Prince Siddon, Mangkaja Arts, Totem Poles, 2017, found wood, plastic flowers, acrylic paint; Eunice Porter, Warakurna Artists, Untitled, 2014, reclaimed tin, acrylic paint; Tom Freeman, Three Loops on Top, 2016, air-dry clay, glue, glazed earthenware; Carla Adams, Jacob (Just shut up and eat my Dick), 2017. Polycord, Cotton Sash, Acrylic Yarn, Cotton; Rose Megirian, Great Worth, 2016, blackened sterling silver; Betty Poulsen, Sweet Fruits, 2016, indigo dyed linen, cotton, wool stuffing.
Relic #4, 2019. Featuring Sarana Haeata, Big Bertha, 2015, buff raku clay; John Prince Siddon, Mangkaja Arts, Totem Poles, 2017, found wood, plastic flowers, acrylic paint; Eunice Porter, Warakurna Artists, Untitled, 2014, reclaimed tin, acrylic paint; Tom Freeman, Three Loops on Top, 2016, air-dry clay, glue, glazed earthenware; Carla Adams, Jacob (Just shut up and eat my Dick), 2017. Polycord, Cotton Sash, Acrylic Yarn, Cotton; Rose Megirian, Great Worth, 2016, blackened sterling silver; Betty Poulsen, Sweet Fruits, 2016, indigo dyed linen, cotton, wool stuffing.
Relic #6, 2019. Featuring Tom Freeman, Shiny Knobs, 2016, glass, glue and glazed earthenware; Tom Freeman, Small Wire Dip, 2016, wire, acrylic paint; Rose Megirian, Great Worth, 2016, blackened sterling silver, precious/semi precious stones, fresh water & south sea pearls.
Relic #6, 2019. Featuring Tom Freeman, Shiny Knobs, 2016, glass, glue and glazed earthenware; Tom Freeman, Small Wire Dip, 2016, wire, acrylic paint; Rose Megirian, Great Worth, 2016, blackened sterling silver, precious/semi precious stones, fresh water & south sea pearls.

Relic

Editorial series exploring the intersection of craft, design, and art in Western Australia.

2019

Presenting a cross-section of Western Australian artists whose work spans disciplines traditionally separated into craft, design, and art, Relic reflects the growing recognition of practices that have long operated across such distinctions, foregrounding work shaped by material knowledge, process, experimentation, and its positioning within contemporary cultural contexts.

The full series and an accompanying essay were published in Fulcrum's inaugural issue of its design publication, Fulcrum Journal, Issue 00 (Pivot).

Produced by Wong + Megirian
Creative Direction & Styling Rose Megirian
Photography Bo Wong
Featured Works by Betty Poulsen, Carla Adams, Clare Peake, Eunice Porter, John Prince Siddon, Peter Reynolds, Peter Frank Milligan, Rose Megirian, Sarana Haeata, Tom Freeman.
creative-directorstylist publication
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